Scottmoose
500 Club - QQ All-Star
Reading a review of a new £24,000 Krell CD player in the UK hifi magazine Hifi Choice got me thinking the other day. Here in the UK, SACD and DVD-A are seemingly marketed to the masses (when they are mentioned at all outside the specialist press), not with multi-channel, but improved stereo sound quality over CD as the prime motivation for purchase. I hope that isn’t the case in the US, because I’m so unconvinced about the wisdom of this that I thought I’d try a basic experiment down at my local hifi dealer. Try it out yourselves and see what you think.
I had them set up a 2 channel stereo system in their demo room: a decent £500 amp, and £500 speakers (if you’re interested, or doubt their quality, they were a TAG McLaren 60i integrated powering Epos M12 stand-mounters. Cabling was Nordost Solar Wind. You won’t get much better amplification or speakers at that price).
Hardly entry level, and much better than what I own, but not so expensive as to be out ultimate reach for the majority of hifi enthusiasts / music lovers. A system that costs around the same as a holiday, then, and lasts a heck of a lot longer. I’m not a follower of high-end. The law of diminishing returns is at its strongest in supercars and hifi.
Now for the crunch: the source. This was what I wanted to compare, back to back. A Sony SCD770 SACD player against an Arcam CD62 using Mike Oldfield’s Tubular Bells in stereo.
Result? The SACD was good –excellent in fact, but it wasn’t a startling improvement over the standard CD in stereo (and I’m not that much of a cloth-eared nincompoop). Hmm. And that’s using midrange kit: a quality of amp and speakers that many will never have. Enough of an improvement for Mr Average to justify the outlay? Nope. Most multi format machines are a compromise in their CD capability too; not helpful when the majority of people’s album collections are on CD. So what’s the point in this strategy of selling because of ‘improved sound quality’? 99.999% of us do not, and never will hear lowly CD at its best, never mind DVD-A or SACD in stereo. It’s the magic suit of clothes again.
Let’s be realistic: the main discernable improvement in the new formats for most of us is multi-channel. That’s what we all want. I’m becoming more and more convinced that neither format will survive in the mass market if they don’t start pushing this capability harder. A marginal at best improvement in stereo sound quality over redbook compact disk is not a good reason for expensive upgrades. That was one of the reasons I originally asked here about the now forgotten quad capability of CD, because multi-channel is a good reason. And that’s why I’ll buy into SACD and DVD-A, not for any illusions about better quality sound in stereo.
What do you think? (Feel free to shoot me down in flames on this btw: I <em>want</em> to be convinced otherwise!)
Cheers
Scott8o
I had them set up a 2 channel stereo system in their demo room: a decent £500 amp, and £500 speakers (if you’re interested, or doubt their quality, they were a TAG McLaren 60i integrated powering Epos M12 stand-mounters. Cabling was Nordost Solar Wind. You won’t get much better amplification or speakers at that price).
Hardly entry level, and much better than what I own, but not so expensive as to be out ultimate reach for the majority of hifi enthusiasts / music lovers. A system that costs around the same as a holiday, then, and lasts a heck of a lot longer. I’m not a follower of high-end. The law of diminishing returns is at its strongest in supercars and hifi.
Now for the crunch: the source. This was what I wanted to compare, back to back. A Sony SCD770 SACD player against an Arcam CD62 using Mike Oldfield’s Tubular Bells in stereo.
Result? The SACD was good –excellent in fact, but it wasn’t a startling improvement over the standard CD in stereo (and I’m not that much of a cloth-eared nincompoop). Hmm. And that’s using midrange kit: a quality of amp and speakers that many will never have. Enough of an improvement for Mr Average to justify the outlay? Nope. Most multi format machines are a compromise in their CD capability too; not helpful when the majority of people’s album collections are on CD. So what’s the point in this strategy of selling because of ‘improved sound quality’? 99.999% of us do not, and never will hear lowly CD at its best, never mind DVD-A or SACD in stereo. It’s the magic suit of clothes again.
Let’s be realistic: the main discernable improvement in the new formats for most of us is multi-channel. That’s what we all want. I’m becoming more and more convinced that neither format will survive in the mass market if they don’t start pushing this capability harder. A marginal at best improvement in stereo sound quality over redbook compact disk is not a good reason for expensive upgrades. That was one of the reasons I originally asked here about the now forgotten quad capability of CD, because multi-channel is a good reason. And that’s why I’ll buy into SACD and DVD-A, not for any illusions about better quality sound in stereo.
What do you think? (Feel free to shoot me down in flames on this btw: I <em>want</em> to be convinced otherwise!)
Cheers
Scott8o